Written by Jessica Klausing
2017 has been a year plagued with many natural disasters around the world. Last month Mexico’s 7.1 magnitude earthquake took hundreds of lives, leaving the country with over $1 billion dollars worth of damages. Aid and relief funds are still desperately needed. On Sunday, October 1, Sound Majesty hosted a Mexico benefit concert at West Hollywood’s famed Whisky A Go Go.
Beck Black served as the emcee, introducing all eight musical acts including a Mariachi band! During the concert, attendees were encouraged to participate in the silent auction upstairs. The auction items included an autographed guitar, signed by all of the benefit artists, Vampire Vineyards wine, and exclusive sunglasses. All ticket and auction proceeds went to the Mexico emergency relief funds.
San Diego based singer-songwriter Matthew Phillips took the stage at 6:00PM. With an acoustic guitar in hand, Phillips launched into “Together Forever,” a saccharine love ballad. Right off, I was impressed with Phillips ability to connect well with his audience.
Throughout his set, he made sure to make eye contact and reach out to every person in the room. His songs empathize with those who have been “friend zoned” and looking for hope. His charisma and bell pure vocals stood out on “Goodbye” and “Always Be There.” “No More Pain” was a beautiful tune dedicated to Mexico. The biggest highlight was his Goo Goo Dolls cover of “Iris,” which prompted an audience sing-a-long.
Jade PraiZe upped the swag dosage for the night. The UK singer-songwriter strutted on stage with a large red hair bow and cool shades. Her sweet yet snarky demeanor gives a playful edge to her soulful lyrics. Vocally, she reminded me a bit of Amy Winehouse and Fiona Apple.
PraiZe cries out “Don’t be fooled by the Milky Way/I got through in but I couldn’t stay,” in “Milk Way.” My favorite was “Hands Out” with the ever inspiring, “Put your hands out/Dance like there’s no tomorrow.” I do hope Ms. PraiZe sticks around. I’m curious to hear more from her!
Love Like Suicide
Love Like Suicide stole the show. Period. Singer Molly Kills portrays a gothic femme fatale as she seductively slinks around the stage with long black hair covering her face, crooning out dark secrets. Expect the dark, the sexy, the mystery, and the nostalgia. Their music is a throwback nod to the 90’s grunge and punk genres. If you love Garbage and The Cranberries, then you’ll love this band.
Their newest single, “Side Effects” off the EP, Verdugo exhibits impressive alternative guitar hooks and hypnotic synths. Guitarist Mor Kosmik and Bassist Troy Richardson riffed through other punkwave hits such as “Born Again” and “On A High.” The benefit show was particularly important to Kosmik, who is originally from Mexico City. She proudly showed off ‘Made in Mexico’ written on her left leg for the night.
The Knitts took us back to the post-punk and Brit-Pop scene. Their songs were reminiscent of early Rolling Stones and The Beatles. The songs boasted plenty of upbeat, catchy classic rock melodies. Lead vocalist/guitarist Charlie Volkens impressed with his boyish charms and husky low growls. The Knitts were determined to get everyone up during their set and they succeeded!
“Vamonos Mexico” turned the venue into one big dance party. “This is the only song we have about Mexico,” joked Charlie Volkens. The energy continued with the more country twangin’ “Hold Steady Pretty Lady.” “Get Up Get Out” had everyone chanting out the song’s title. This song could easily be the modern-day Beatles’ “Twist and Shout” party anthem.
Peter DiStefano slowed it down with more beautiful acoustic guitar. Beck Black introduced his set as “pop rock unplugged.” DiStefano is a prolific musician in the business. He’s composed countless music for television, film, and video games. He is best known for his early alternative rock band, Porno for Pyros (The Jane’s Addiction offshoot).
DiStefano shared his softer rock tunes with us. His solo work is more delicate than his other musical projects. It’s a definite contrast to his electronica pumped side band, Venice Underground. He did surprise us with a few Porno for Pyros covers. His acoustic version of “Tahitian Moon” was performed with such graceful precision, that I actually prefer his version to the original.
Hollywood’s own Falling Doves were up next. Their music is described as “whiskey laced vocals infused with bits of glam and blues.” Lead singer Christopher Leyva donned a leather jacket with slicked-up black spiky hair. He looked like the frontman of a hell raiser 80’s punk band. Don’t be fooled by the apparel. The music is fueled with heavy guitar riffs but it’s a definite nod to classic rock with confessional storytelling.
The Falling Doves rolled into the power rock anthem “Ready to Go!” The sultry guitar licks pop infused “Paris” followed. The set ended with a couple of epic covers. Oasis’ “Champagne Supernova” was the real crowd pleaser! Beck Black joined the band for Fleetwood Mac’s “Dreams.”
The lovely and fierce Beck Black performed a special set. Ms. Black’s music is bluesy punk with a whole lotta soul! Minus drummer Adam Alt, Beck proves that she could still hold her own. Her commanding stage presence will pull you in if her seductive vocals haven’t already.
“Life's a Circus” brought out plenty of carefree attitude. Beck would playfully leap from guitar monitor to guitar monitor effortlessly. She would even drop and roll on the floor without missing a beat! Beck commands attention in “Vampires Come out at Night” with the sultry lyric, “Vampires come in the dark/when you light up a spark/they bite, they suck, your energetic blood.”
Corey Feldman and The Angels
Midnight struck when Corey Feldman and The Angels finally took stage. Due to a technical issue, Corey’s set had to be cut short for curfew. Corey didn’t seem too fazed. He spent several minutes chatting amicably with his fans from onstage. The set officially started about ten minutes later. Corey channeled his inner Michael Jackson with a bold red, black, and silver colored jacket and dark shades. His angels wore white lingerie with brightly lit up wings and neon glowing shoes. The performance itself was simply mesmerizing to watch. Maybe it was all those Christmas tree-esque lights?
The band opened with the iconic “Take a Stand,” in which Corey advises us, “We need peace (right now)/We need love (somehow)/The world is not full of clouds/Let the sun shine down.” The next song, “Walk” featured Corey on guitar. “It’s So Simple” was another inspiring pop song about making the world a better place. For the closer, Beck Black and the Mariachi band joined Corey for a Beatles cover of “Come Together,” dedicated to Mexico. If you have never seen a former child star, scantily clad women, and a Mariachi band perform a Beatles song, then you have not experienced Los Angeles!
I gotta admire Corey for his optimism. I’ll admit that his band concept may be a bit too whimsical. If tongue-in-cheek performances offend you then stay away from a Corey Feldman and The Angels show! However, beyond the “over-the-top” theatrics, his music does spread a positive message. Our world seems more obsessed with hatred than ever. With all the negativity going around, it’s a bit refreshing to hear songs about love and helping one another. Honestly, I think this world could benefit from more Corey Feldman and The Angels.