INTERVIEW with Guitarist Sean Hurwitz

Sean Hurwitz performs at Red Rocks Amphitheatre. Photo by Candace Hogan.

Sean Hurwitz performs at Red Rocks Amphitheatre. Photo by Candace Hogan.

Israeli-born guitarist Sean Hurwitz has played amongst the big leagues in the music world. He’s toured with Enrique Iglesias and Smash Mouth, and played with Gin Blossoms, Anna Nalick, Chris Wallace, Judith Hill, just to name a few. When he’s not on the road, he’s hard at work recording, writing, and producing for music and film. Technical mastery and keen precision to detail make up his trademark skills on and off stage.

Sean took time to chat with us about his guitar gear, collaborating with other artists, and how he spends his time off tour.

INTERVIEW

Follow Sean Hurwitz:
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SONG REVIEW: Ch3ls - "Crying Wolf"

By Jessica Klausing

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Ch3ls releases her new single, “Crying Wolf,” a seamless blend of country, blues, and hard rock with a tinge of pop appeal, thrown in for good measure.  She’s a spitfire powder-keg of talent ready to explode into the atmosphere.

The delicate opening guitar lulls you into a false sense of security as Ch3ls sweetly sings, “Oh you know/I used to care/ but how much can a girl take?”

Her sugary sweet delivery comes as a surprise when you realize that she’s calling out a guy who did her wrong: “Don’t you know…You did it to yourself/so go lay down in that bed you made,” she croons casually before the tempo picks up and we’re thrown into a whirlwind of booming hand claps and somber backing vocals.

Ch3ls’ howls are justified when she reveals evidence of this man’s behavior: “A wolf in sheep’s clothes/ That huffin’ and bluffin’ is bullshit/I’m sick of your lying and whining, you crying wolf!” The electric guitar solo that ensues will have your heart pumping on an adrenaline fueled high. Before long you’ll find yourself howling along with Ch3ls’ fierce wolf pack. It’s well worth the listen.

Follow Ch3ls:
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Check out more of Ch3ls’ music:
Spotify
Apple Music
Soundcloud

SONG REVIEW: Tim Lancaster - "Half-Life"

By Wanda Whitley

Tim Lancaster photo by Guy Roberts.

Tim Lancaster photo by Guy Roberts.

Listening to Tim Lancaster’s latest single, "Half-Life" has left me in joyful wonderment.

Tim Lancaster is a multi-instrumentalist, composer, and singer. His music spans the spectrum of pop-rock-psychedelic-punk to modern jazz. "Half-Life" is the second single off his debut album, Conspiracy. With Conspiracy, Tim created a genre-bending collection of tracks that utilize a carefully selected range of instruments, effects and production techniques. He even built a pedal board from scratch, imagining exactly how he wanted the fuzz to sound and how the distortion should roar.

There is so much to love about "Half-Life." The music itself is spooky-cool, an eerie, melodic sound that is all at once futuristic, yet it transports you to the past. With keyboards that pay homage to The Doors, some electric guitar riffs that whisper a little bit of Jimi Hendrix, drum beats reminiscent of the space-age beat of Billy Thorpe’s "Children of the Sun," to Tim’s smooth vocals and performance channeling a bit of Alice Cooper – this song is a trip to the past, present, and future.  

Yet with this pleasant transportation, "Half-Life" is truly Tim’s song and Tim’s song only. Such an eclectically-ethereal treat. This song is far-out for sure.  Far-out in a good way, man.  We are definitely feeling your presence with "Half-Life," Tim, and we are all the better for it!

Follow Tim Lancaster:
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Static and Surrender @ Hollywood's Hotel Cafe

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Static and Surrender are on tour throughout California in honor of their debut album release. Their energetic riffs and rhythms are on par with the alternative superstar acts such as Lifehouse and Matchbox Twenty. Jeff Campbell (lead vocals, guitar) backed by John Schuman (drums), Adam Schuman (guitar, vocals), and Lauren Stockner (bass player) – all stars in their own right – delivered a passionate performance at Hollywood’s Hotel Café.

READ MORE

Check out Static and Surrender’s debut album. If you get the chance to see them live, do it! Very few artists have that special knack to sound better live than in the studio. Static and Surrender is definitely one of those bands that kick it up a notch in the live shows.

Interview with Matthew Phillips

Matthew Phillips photo by Noah Gilman.

Matthew Phillips photo by Noah Gilman.

Up-and-coming singer-songwriter Matthew Phillips has been making waves through San Diego’s music scene with over 100,000 followers on Instagram and receiving endorsements from Fender Electric Guitars, Taylor Acoustic Guitars, GHS Strings, and Voss Water, just to name a few.

We got to chat with Matthew about his journey becoming a solo artist, independent artist struggles, and his mad videography skills!

INTERVIEW.

Be sure to follow Matthew Phillips:
WEBSITE
FACEBOOK
INSTAGRAM
SOUNDCLOUD
YOUTUBE

 

THROWBACK: M2M

M2M.

M2M.

M2M defined the bubblegum pop genre in the Y2K era.

The Norwegian pop duo comprised of childhood friends Marion Raven and Marit Larsen. Their debut album, Shades of Purple (2000) sold over 1.5 million units worldwide with the single, “Don’t Say You Love Me,” receiving critical and commercial success. Raven and Larsen wrote the lyrics and played instruments on their songs which set them apart from most pop artists.

Check out our Top 5 M2M song picks.

READ MORE.

 M2M:
FACEBOOK

Marion Raven:
TWITTER
FACEBOOK
INSTAGRAM

Marit Larsen:
TWITTER
FACEBOOK
INSTAGRAM

Monks Of Doom @ LA's Cafe NELA

Monks Of Doom photo by Jessica Klausing

Monks Of Doom photo by Jessica Klausing

Monks Of Doom are back on tour. Yes, you read this correctly.

The surrealist progressive rockers are back in support of their newest album, The Bronte Pin. This album is the first of new material released in 25 years. The long wait, though highly frustrating, was indeed worth it. Victor Krummenacher (vocals, bass, and guitar), David Immerglück (vocals, guitar, bass, and mandolin), Greg Lisher (guitar), and Chris Pederson (drums, percussion) pulled listeners into a post-rock world of cryptic hysteria and psychedelic instrumentals at LA’s Café NELA.

Check out our REVIEW.

Victor Krummenacher took some time to chat with us about the new MOD album. Check out our INTERVIEW.

Interview with Falling Doves' Chris Leyva

Falling Doves. From left: Mike Dorsey and Chris Leyva. Photo by Kelli Hayden.

Falling Doves. From left: Mike Dorsey and Chris Leyva. Photo by Kelli Hayden.

The Falling Doves never play it safe.

Chris Leyva (guitars, vocals) and Mike Dorsey (lead guitarist) create an unpredictable mix of garage rock with jazz, metal, Latin, and pop infusions. Known for their deep lyrical confessionals and aggressive playing, this band is not afraid to combine the classics with the new.

Falling Doves' Chris Leyva chats with us about his musical influences, international touring, and the new upcoming Falling Doves album.

Check out our INTERVIEW.

Falling Doves Social Media:

WEBSITE

FACEBOOK

TWITTER

INSTAGRAM

Snow Patrol @ LA's Fonda Theatre

Gary Lightbody and Minnie Driver at the Fonda Theatre. Photo by U2Soul/Flickr.

Gary Lightbody and Minnie Driver at the Fonda Theatre. Photo by U2Soul/Flickr.

Snow Patrol performed a legendary set at Los Angeles' Fonda Theatre over the weekend.

Check out Courtney Lavender's REVIEW.

The mark of a great singer is measured less by vocal quality, and more by believability. Do you believe what you are singing? Do others believe you when you sing it? Though he may have tripped up technically at points, I never once doubted what Gary Lightbody was communicating, nor did anyone in the rapt audience. "Heal Me" was dedicated to someone who saved his life. I've been standing in the fire for way too long, he sang, and I could feel the flames.

Animal Hope and Wellness Charity Event - A Dog's Night

Written by Jessica Klausing

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Last month the Animal Hope and Wellness Foundation hosted A Dog’s Night at North Hollywood’s Federal Bar. Guests enjoyed a night of vegan appetizers, drinks, and live entertainment. Hosted by Kemble and Jen Walters, guests could participate in a silent auction to help raise money for the foundation. Auction items varied from gift cards to exclusive television set tours. All ticket and auction proceeds went directly to the foundation’s animal rehabilitation services.

DONATE

The Animal Hope and Wellness Foundation (AHWF) helps rescue abused and neglected animals, providing full rehabilitation services, and working to help find them new homes. The foundation has recently been focused on rescuing dogs from the Asian Dog Meat Trade.

Founder and CEO Marc Ching has made countless trips overseas to videotape and document evidence of the brutalities and torture of live dogs before they are slaughtered for human consumption.

Marc Ching photo by Jessica Klausing

Marc Ching photo by Jessica Klausing

Ching has saved thousands of dogs, even going as far as risking his own life to smuggle them out of the slaughterhouses. By raising awareness, Ching and the AHWF team expose these barbaric rituals in order to enact change and force the government to create laws to protect these animals. Ching continues to fight for these dogs and to help the dog farm owners find new occupations.

AHWF has a few upcoming fundraiser EVENTS in March.

VOLUNTEERS are always more than welcome to stop by the foundation's headquarters in Sherman Oaks, California to help with the dogs.

Looking to ADOPT? Look no further than an AHWF rescue pup! Please READ the adoption process on the website.

Petty Cash photo by Jessica Klausing

Petty Cash photo by Jessica Klausing

Petty Cash entertained guests with a powerhouse performance of Tom Petty and the Heartbreakers and Johnny Cash covers. Setlist highlights included “Ring of Fire,” “Runnin Down a Dream,” and “I Won’t Back Down.”

Surprise musical guests joined onstage were Noodles (The Offspring), Kevin Martin (Candlebox), Mark Schulman (PINK), Brett Scallions (Fuel), Abby Gennet (Slunt), and Sean and Juliette Beavan (8MM).

Noodles photo by Jessica Klausing

Noodles photo by Jessica Klausing

Juliette Beavan photo by Jessica Klausing

Juliette Beavan photo by Jessica Klausing

Kevin Martin photo by Jessica Klausing

Kevin Martin photo by Jessica Klausing

ALBUM REVIEW: Brick Briscoe - Songs To Yell To

Written by Jessica Klausing

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Brick Briscoe returns with his ninth studio album release, Songs To Yell To. The album is a restless continuation of Briscoe’s knack for brash post-punk songs about sexuality and identity, citing influences from The Ramones, Buzzcocks, and the 70’s era CBGB club scene. 

From the opening chords of the opener, “Give Me a Lift,” you’re pulled into a punk-fueled road trip that twists and turns, driven by Sal Maida’s bass and Frank Funaro’s rollicking drums. Of course, Briscoe is along for the ride with some tongue-in-cheek jabs like, “this haircut cost me 50 bucks and when they write about me, they’re gonna laugh. It’s their choice.”

Fan favorite “Jack the Ripper” returns stripped down, accompanied by a melancholic bass riff that permeates the track with a very different feel than the hard shredder version featured in the What Happened to Me (2000-2014) compilation album.

“Everybody Sings,” has a distinctly low-fi vibe similar to the likes of Guided By Voices. The melodious, punk rock trailblazer “5 Sick 7” follows with Joey Ramone stylized drumming.

No Brick Briscoe album is complete without snarky yet strangely relatable wisdom. Briscoe offers life advice in “I’m Not Impressed By This Life Very Much” with the lyric, “At 20, you suck/at 30, you suck/ at 40, you’re fucked.” Relationships are questioned in “The Great Maybe,” with, “Being with you never made any sense/though sometimes I like the way you dress/if I drink enough maybe I could reinvent you.”

Briscoe seems to acknowledge his offhanded remarks in “Constant Banging” with, “Nice ass/ those were the first words out of my mouth/ I say things I’m not proud of but I can’t help it.”

As Songs To Yell To winds down, it does so gently, with the reflective “Boys Keep Swinging.” An acoustic guitar accompanied by television noise playing in the background, while Briscoe reminisces about life being simpler as a young boy.

If you want to hear an album that captures the spirit of punk perfectly then Songs To Yell To would be a great choice. Brick Briscoe embraces the best elements of abrasive language and delivers it with guitar-driven fury.

Check out Brick’s radio show called “The Song Show.” Join Brick as he discusses various music topics with surprise musical guests. Listen HERE.

Purchase Brick's music HERE.

Recommended Tracks: “Jack the Ripper,” “Everybody Sings,” “5 Sick 7,” and “I’m Not Impressed By This Life Very Much.”

EP REVIEW: Xs & ARROWs - From Here

Written by Jessica Klausing

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Xs & ARROWs bring an acoustic charm to an EP filled with the infectious warmth of the desert sun. Courtney Lavender (vocals and guitar), Susan Peterson (bass), and Pam Bluestein (drums) guide listeners through a soul-searching journey, appropriately titled, From Here. The EP features soothing melodies with heart-on-your-sleeve lyrics.

The opener, “Missing,” kicks off the EP with a luscious laid back pop melody ready to lull you into summertime bliss. Vibrant and catchy, it’s a perfect listen for a sunset drive on a scenic route. The song is about the inner struggle of trying to let go of a complicated relationship. Lavender reflects this thought with “I never wanted you to be the only thing I see,” against a wailing electric guitar.

“Fire from Gold” is a tender ballad with lyrics almost suggestive of Native American folklore. Delicate finger-picking and percussion intertwine while the honey smooth vocals evoke comfort and positivity. Lavender sings, “No rush coyote/no rhyme coyote/no fear coyote/We are only blessed/There’s no devil in this hole.” Extremely calming and reassuring, it’s the kind of track that will put a smile on your face and fill your heart with hope.

“Par Ici” follows with a Cranberries-esque vibe that’s filled to the brim with angst. Sharp guitar work rips through the pummeling drums while harsher vocals wail out, “the walls all came down on me/They spit and they shout at me.”

 The closer, “Questions” is a piano centered meditation on relatable frustration and unresolved feelings. Glen Hansard lends his vocals to this heart- wrenching track. The accompaniment is simple which leaves all the attention on Hansard and Lavender’s passionate vocal delivery.

From Here is a self-reflective and passionate collection of tracks that touches on the Irish storytelling spirit. Warm harmonies and mellow guitar glide smoothly throughout the EP. Lavender uses her soft vocals to convey in heartbreak, drama, and emotion into all four songs creating a beautiful listen.

From Here is available on iTunes, CD Baby, Amazon, and Spotify

All sale proceeds go to the Peter McVerry Trust, helping the homeless in Dublin.

Recommended Tracks: “Missing” and “Fire from Gold”

ALBUM REVIEW: Matt York - Between the Bars

Written by Jessica Klausing

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Returning with his newest release, Between the Bars, Matt York beckons listeners to pull up a bar stool for some drunken wisdom. Filled with the country spirit, the rhythms burst with driving guitars, saloon-esque pianos, and a brooding horn section. These songs convey the heartache of life and relationships gone wrong.

Opening the album is “All Over the Town,” which thrives on a pulsing guitar melody. The song deals with the aftermath of a failed relationship. You know, the kind when the whole town seems to want to gossip about it? It’s one of the more surprisingly upbeat tunes on the album even with the lyric, “You’ve gone out and changed your mind/I don’t know how I’ve survived.”

“Honkytonk Hangover” waltzes you through the doors of a 1950’s Bakersfield saloon. This old school country ballad surges with powerful energy, exploring the despair that even though life is full of regrets, it’s too late to turn back. York reflects this with, “Introduced my sadness to a beer/No one likes me here at the honkytonk/but I don’t feel alone when I’m here.” With a lively organ solo, a feathery piano waltz, and an infectious upbeat tempo, the track challenges our perceptions of resilience while employing self-loathing.

Next is “When the War Began,” an emotive break up song that centers around a toxic romance. For anyone that has had to face rejection, the lyric, “Yeah, there’s never a nice way to say you’re not the one,” is uncomfortably relatable. York’s vocals may be carefree, but his lyrics bring a sense of pain that’s all too real. The contemplative guitar and intensity of the organ in the latter half support the melody's bluesy edge.

Matthew Girard’s beautiful yet mournful trumpet solo stands out in “September’s Coming Soon,” where York’s vocals soar over the nimble Spanish guitar. “Man Who Does Nothing” is a wistful rumination from a man that just can’t get his life together. The acoustic guitar elevates its appeal. “Calling for You” closes out the album with ethereal vocals that reveal a storm of emotion.

Matt York demonstrates with this album a real knack for guitar playing and a suburb use of words as a songwriter. Between the Bars explores with lush instrumentation the inner madness of a resilient soul. The character may not have things figured out but he's still trying somehow.

Between the Bars will be available on November 3rd. You can purchase the album on Matt York's Bandcamp page. 

Matt York will perform a special album release show on November 3rd at the Atwoods Tavern in Cambridge, MA.

Recommended Tracks: “All Over the Town,” “Honkytonk Hangover,” “When the War Began,” and “September’s Coming Soon”

Sound Majesty Presents: Mexico Benefit Concert at West Hollywood’s Whisky A Go Go

Written by Jessica Klausing

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2017 has been a year plagued with many natural disasters around the world. Last month Mexico’s 7.1 magnitude earthquake took hundreds of lives, leaving the country with over $1 billion dollars worth of damages.  Aid and relief funds are still desperately needed.  On Sunday, October 1, Sound Majesty hosted a Mexico benefit concert at West Hollywood’s famed Whisky A Go Go. 

Beck Black served as the emcee, introducing all eight musical acts including a Mariachi band! During the concert, attendees were encouraged to participate in the silent auction upstairs. The auction items included an autographed guitar, signed by all of the benefit artists, Vampire Vineyards wine, and exclusive sunglasses. All ticket and auction proceeds went to the Mexico emergency relief funds.

Matthew Phillips

Matthew Phillips photo by Jessica Klausing

Matthew Phillips photo by Jessica Klausing

San Diego based singer-songwriter Matthew Phillips took the stage at 6:00PM. With an acoustic guitar in hand, Phillips launched into “Together Forever,” a saccharine love ballad. Right off, I was impressed with Phillips ability to connect well with his audience.

Throughout his set, he made sure to make eye contact and reach out to every person in the room. His songs empathize with those who have been “friend zoned” and looking for hope.  His charisma and bell pure vocals stood out on “Goodbye” and “Always Be There.”  “No More Pain” was a beautiful tune dedicated to Mexico. The biggest highlight was his Goo Goo Dolls cover of “Iris,” which prompted an audience sing-a-long.

Jade PraiZe

Jade PraiZe photo by Jessica Klausing

Jade PraiZe photo by Jessica Klausing

Jade PraiZe upped the swag dosage for the night. The UK singer-songwriter strutted on stage with a large red hair bow and cool shades. Her sweet yet snarky demeanor gives a playful edge to her soulful lyrics. Vocally, she reminded me a bit of Amy Winehouse and Fiona Apple. 

PraiZe cries out “Don’t be fooled by the Milky Way/I got through in but I couldn’t stay,” in “Milk Way.” My favorite was “Hands Out” with the ever inspiring, “Put your hands out/Dance like there’s no tomorrow.” I do hope Ms. PraiZe sticks around. I’m curious to hear more from her!

Love Like Suicide

Molly Kills photo by Jessica Klausing

Molly Kills photo by Jessica Klausing

Love Like Suicide stole the show. Period. Singer Molly Kills portrays a gothic femme fatale as she seductively slinks around the stage with long black hair covering her face, crooning out dark secrets. Expect the dark, the sexy, the mystery, and the nostalgia. Their music is a throwback nod to the 90’s grunge and punk genres. If you love Garbage and The Cranberries, then you’ll love this band.

Their newest single, “Side Effects” off the EP, Verdugo exhibits impressive alternative guitar hooks and hypnotic synths. Guitarist Mor Kosmik and Bassist Troy Richardson riffed through other punkwave hits such as “Born Again” and “On A High.” The benefit show was particularly important to Kosmik, who is originally from Mexico City. She proudly showed off ‘Made in Mexico’ written on her left leg for the night.

The Knitts

The Knitts photo by Jessica Klausing

The Knitts photo by Jessica Klausing

The Knitts took us back to the post-punk and Brit-Pop scene. Their songs were reminiscent of early Rolling Stones and The Beatles. The songs boasted plenty of upbeat, catchy classic rock melodies. Lead vocalist/guitarist Charlie Volkens impressed with his boyish charms and husky low growls. The Knitts were determined to get everyone up during their set and they succeeded!

“Vamonos Mexico” turned the venue into one big dance party. “This is the only song we have about Mexico,” joked Charlie Volkens. The energy continued with the more country twangin’ “Hold Steady Pretty Lady.” “Get Up Get Out” had everyone chanting out the song’s title. This song could easily be the modern-day Beatles’ “Twist and Shout” party anthem.

Peter DiStefano

Peter DiStefano photo by Jessica Klausing

Peter DiStefano photo by Jessica Klausing

Peter DiStefano slowed it down with more beautiful acoustic guitar. Beck Black introduced his set as “pop rock unplugged.” DiStefano is a prolific musician in the business. He’s composed countless music for television, film, and video games. He is best known for his early alternative rock band, Porno for Pyros (The Jane’s Addiction offshoot).

DiStefano shared his softer rock tunes with us. His solo work is more delicate than his other musical projects. It’s a definite contrast to his electronica pumped side band, Venice Underground. He did surprise us with a few Porno for Pyros covers. His acoustic version of “Tahitian Moon” was performed with such graceful precision, that I actually prefer his version to the original.

Falling Doves

Falling Doves photo by Jessica Klausing

Falling Doves photo by Jessica Klausing

Hollywood’s own Falling Doves were up next. Their music is described as “whiskey laced vocals infused with bits of glam and blues.” Lead singer Christopher Leyva donned a leather jacket with slicked-up black spiky hair. He looked like the frontman of a hell raiser 80’s punk band. Don’t be fooled by the apparel. The music is fueled with heavy guitar riffs but it’s a definite nod to classic rock with confessional storytelling.

The Falling Doves rolled into the power rock anthem “Ready to Go!” The sultry guitar licks pop infused “Paris” followed. The set ended with a couple of epic covers. Oasis’ “Champagne Supernova” was the real crowd pleaser! Beck Black joined the band for Fleetwood Mac’s “Dreams.”

Beck Black

Beck Black photo by Jessica Klausing

Beck Black photo by Jessica Klausing

The lovely and fierce Beck Black performed a special set. Ms. Black’s music is bluesy punk with a whole lotta soul! Minus drummer Adam Alt, Beck proves that she could still hold her own. Her commanding stage presence will pull you in if her seductive vocals haven’t already.

“Life's a Circus” brought out plenty of carefree attitude. Beck would playfully leap from guitar monitor to guitar monitor effortlessly. She would even drop and roll on the floor without missing a beat! Beck commands attention in “Vampires Come out at Night” with the sultry lyric, “Vampires come in the dark/when you light up a spark/they bite, they suck, your energetic blood.”

Corey Feldman and The Angels

Corey Feldman and The Angels photo by Jessica Klausing

Corey Feldman and The Angels photo by Jessica Klausing

Midnight struck when Corey Feldman and The Angels finally took stage. Due to a technical issue, Corey’s set had to be cut short for curfew. Corey didn’t seem too fazed. He spent several minutes chatting amicably with his fans from onstage. The set officially started about ten minutes later. Corey channeled his inner Michael Jackson with a bold red, black, and silver colored jacket and dark shades. His angels wore white lingerie with brightly lit up wings and neon glowing shoes. The performance itself was simply mesmerizing to watch. Maybe it was all those Christmas tree-esque lights?

The band opened with the iconic “Take a Stand,” in which Corey advises us, “We need peace (right now)/We need love (somehow)/The world is not full of clouds/Let the sun shine down.” The next song, “Walk” featured Corey on guitar. “It’s So Simple” was another inspiring pop song about making the world a better place. For the closer, Beck Black and the Mariachi band joined Corey for a Beatles cover of “Come Together,” dedicated to Mexico.  If you have never seen a former child star, scantily clad women, and a Mariachi band perform a Beatles song, then you have not experienced Los Angeles!

Corey Feldman and The Angels perform "Come Together" photo by Jessica Klausing

Corey Feldman and The Angels perform "Come Together" photo by Jessica Klausing

I gotta admire Corey for his optimism.  I’ll admit that his band concept may be a bit too whimsical. If tongue-in-cheek performances offend you then stay away from a Corey Feldman and The Angels show! However, beyond the “over-the-top” theatrics, his music does spread a positive message. Our world seems more obsessed with hatred than ever. With all the negativity going around, it’s a bit refreshing to hear songs about love and helping one another. Honestly, I think this world could benefit from more Corey Feldman and The Angels.