CONCERT REVIEW: The Mother Hips Play Surprise Set at West Hollywood's Troubadour

By Jessica Klausing

Tim Bluhm perfroms at The Troubadour
photo by Jessica Klausing
 

Longtime fans eagerly awaited The Mother Hips co-founding guitarist Tim Bluhm as he slowly made his way center stage to his seat. Bluhm donned a foot cast and crutches for the evening due to an unfortunate paragliding accident in September 2015 that left his ankle shattered. 

This injury didn’t hold back Bluhm’s energy filled powerhouse performance at West Hollywood’s Troubadour.

Tim Bluhm (guitar/vocals), Greg Loiacono (guitars/vocals), John Hoffer (drums) and Scott Thunes (bass) with special guests, Scheila Gonzales (saxophone/vocals) and Jason Crosby (keys/violin) played a very special show for Los Angeles.

The band teased fans with the promise of covering a surprise record as part of their two set show. As soon as the band opened with the anguished guitar ballad, “Gimmie Shelter,” the sold out venue erupted in cheers.  The Mother Hips played The Rolling Stones’ Let it Bleed album in its entirety.

Bluhm and the gang slayed through the classics such as “Monkey Man,” “Country Honk,” “Let It Bleed” and the iconic “You Can’t Always Get What You Want.” The songs were performed ready to burst of hard rockin’ blues with surprisingly dark undertones that was both sexy and horrifying at the same time. This stellar performance would have made Mick Jagger proud.

On top of a secret set, the Hips had another surprise in store for fans that night. Fans were gifted with a free download of the new single, “I Went in Hard.” This song is a sneak peek of the group’s new album due out later this year. The song addresses the accident that badly injured Bluhm but the band was not going to kiss and tell any more secrets about the new album.

“We decided not to play the new single tonight. We wanted the audience to go home and experience it for themselves—plus we don’t really know how to play it,” confessed Bluhm.

After a brief intermission, the band returned to play their originals for the final set.
The Hips kicked off the second set with the alternative rockin’ “Smoke” followed by a bluesy jam of “White Falcon Fuzz.”

Scott Thunes and Scheila Gonzales
photo by Jessica Klausing

Scheila Gonzales had the audience swaying to her jazzy saxophone parts in “Esmerelda.” Gonzales can play a mean sax! It was her beautiful saxophone solo that stole the show during “Toughie.” It was the kind of thing you would hear at a jazz nightclub from the French Quarter in downtown New Orleans. Things mellowed out with Scott Thunes’ heavy bass groove in “Clean Me Up.” The momentum picked back up with Greg Loiacono’s rich lead vocals to the more psychedelic “Confirmation of Love.”

To nail the Hips down to one specific genre would be nearly impossible. A few songs into the set and already the audience were treated to a delicious musical buffet of Americana, blues, jazz, country, alternative and psychedelic rock.

What makes the Hips so special is perhaps the musical bond between Tim Bluhm and Greg Loiacono as evidenced during “Been Lost Once.” Their call and answer vocals section was the main highlight of this heavy Southern rock guitar jam. These two guitarists were quite a mesmerizing sight with their dueling compositions. This was not a battle of the brawns but more of a means to challenge the musical dynamic of the song.

Tim Bluhm of The Mother Hips
photo by Jessica Klausing

The Hips closed out the night on a high with “Magazine” and “Stoned Up the Road.”

The Mother Hips are quite a trip to watch live in person because of their Grateful Dead-esque extensive jam sessions. However, they are much more than just a northern California jam band. These guys are constantly looking for ways to take their songs to new heights. Part of the fun is not knowing where these guys will end up. It’s more about the journey, not the destination.

SECRET SETLIST:
Gimmie Shelter
Love in Vain
Country Honk
Live with Me
Let it Bleed
Midnight Rambler
You Got the Silver
Monkey Man
You Can’t Always Get What You Want

SETLIST:
Smoke
White Falcon Fuzz
Esmerelda
Honeydew
Gold Plated
Clean Me Up
Confirmation of Love
Third Floor Story
Singing Seems To Ease Me
Been Lost Once
Toughie
Do It On The Strings
Delmar Station
Time Sick Son Of A Grizzly Bear
Rich Little Girl
Pet Foot

ENCORE:
Magazine
Stoned Up The Road
 

CONCERT REVIEW: Tyler Stenson Delivers Elegant Folk to Hollywood's Hotel Cafe

By Jessica Klausing

Tyler Stenson performs at Hotel Cafe
photo by Jessica Klausing
 

Tyler Stenson brightened up the Hotel Café with his unique brand of “Elegant Folk” music. His set was as comforting as a warm hug from an old friend on a bad day. His heart wrenching lyrics and charming presence was a much needed gift to Los Angeles.

Stenson walked onto the main room stage at 08:00PM, picked up his acoustic guitar and crooned right into the delicate “Monday and a Mountain.” 

This singer-songwriter from Portland captured the attention in the intimate room with his soul lifting melody and humble lyrics, “I was born on a Monday, in the thickening snow, so it’s safe to say that hard work is habit that lives in my bones.” His presentation didn’t include a backing band, making this performance a stripped-down version similar to his 2010 album, Bittersweet Parade.
 

Tyler Stenson performs "The Arsonist" at Hotel Cafe
photo by Jessica Klausing

Stenson picked up the pace with his second song, “The Arsonist.” This was the highlight of the night because he would be simultaneously playing the guitar and harmonica. In this song, Stenson asks the heartbreaking question, “Why build a bridge if you’ll just burn it down?”

Stenson has always proved to be a bold, honest lyricist. What makes his work so unique is his meticulous attention in the sincerity of his simple words. Some examples were lyrics such as the heartbreaking, “I’ve gotten good at being alone,” in “That I’ll Know You” and the rejoicing of “Gone are the days of the dark shades of grey,” in “How Bright.”

A personal favorite of the night was “Cannonball.” This was the opening song on his 2000 album,The Low Ceiling. During that time, Stenson served as a front man for his band, Rhetoric Tuesday. Hearing the line “I’m so close but I’m so far” performed live gave it even more emotion than hearing it on a recording. You can feel the desperation he delivers with each note. Even with his front man experience, it seems pretty evident that Stenson much prefers the reflections of an acoustic solo artist.

He launched next into a slower paced cover of Simon and Garfunkel’s “Celica” interwoven with Bruce Springsteen’s “I’m On Fire” alts.

“You Already Know,” and “Carry On” were slightly older hits that told more stories of love, hope, heartbreak and courage.

“Say No More” was the newest song played in the set. This single was Stenson’s first release in 2015. The song was written as an earnest apology to his sister. It teaches us about the consequences of saying the wrong thing to loved ones.

Tyler Stenson
photo by Jessica Klausing

The show ended with the more upbeat “Best Laid Plans.”

“This is one of my most optimistic songs. It came from a darker place in my life. I wrote it at a funeral,” said Stenson.

 He encouraged the audience to sing along with him. Soon enough the room was chanting, “You must believe what might have been, can yet still be.” This positive lyric seemed to spark a glimmer of hope within the audience. Throughout this emotional journey tonight it felt like there really is a light at the end of the tunnel.

Hearing Tyler Stenson live was definitely a memorable experience. His voice is a timeless blend of vulnerability and confidence. Many concerts are filled with orchestral arrangements and heavy production, which are great! Stenson proves that a strong voice and a guitar can leave just as much of a lasting impression.

SETLIST:
Monday and a Mountain
The Arsonist
You Already Know
That I’ll Know You…
How Bright
Cannonball
Cecilia-Simon and Garfunkel cover with I’m On Fire alts by Bruce Springsteen
Carry On
Say No More
Best Laid Plans
 

CONCERT REVIEW: Foxtrax Celebrates EP Release at Molly Malone's

By Jessica Klausing

 

Jon Stenz(drums), Ben Schneid (vocals/guitar) and Jared Stenz (bass) of FoxTrax

 

What does the FoxTrax band say?

They say it with plenty of self-motivating lyrics fused with blues driven guitars and a classic rock N’ roll vibe that results in a new indie pop sound. It’s organic and unique.

Ben Schneid (vocals/guitar), Jon Stenz (drums) and Jared Stenz (bass) celebrated the release of their new EP, “The Cabin” at Molly Malone's in Los Angeles last night.

Their EP and band name was inspired after a trip to North Carolina. The band was staying at a cabin in the mountains in hopes of finding musical inspiration. What the band found were fox tracks in the snow that led them to their name and life philosophy—“follow your foxtrax.”

It’s hard to believe that these guys have only made music for a year now. This Long Island trio sound like seasoned professionals that have toured together for a decade.

Ben Schneid
photo by Jessica Klausing

The band kicked off the night with “Feeling Alright.” Just imagine an electric blend of Foster The People, The Doors and Graham Colton Band.

During the second song, “Indie Rocker B,” Schneid encouraged the audience to clap, dance and move in closer to the stage. They were determined to make sure the audience had as much fun as they did that night.

 “This next song will show you where we came from,” said Schneid.

“Go It Alone” is about leaving the past behind you and going out in the world to do something great--Much like the band did as they left New York to pursue their dreams in Los Angeles.

“I grew up with all these houses on my street/ Each one looked the same/ Now I yearn so hard to get out on my feet/ So I run, to where it’s calling for me.”

You can feel the honesty in Schneid’s delivery. His rhythm guitar accompanies the soulful bass with the steady drum beats. The best part is nothing was overdone here. No flashing bells and whistles to drive the point. This was three musicians sharing an intimate part of their lives.

“Last Chance Blues,” “Dark of the Night” and “Everything’s Changing” follows the bluesy alternative theme of longing for something better.

“On the Run” was a grittier tune while “Waiting for You” and “City of Lights” shows off more of the band's classic rock arrangements.

Jon Stenz
photo by Jessica Klausing

Not only talented musicians but they proved to be quite the shows men as well.

Drummer Jon Stenz would twirl and toss his drumsticks in the air like a Color Guard from a marching band, Schneid would leap from the drum stand on occasion and at one point Bassist Jared Stenz was able to squat down on his heels during a solo without missing a chord!

These guys were quick like foxes so no photo was able to be caught of these zany stage antics.

The biggest highlight of the night was “Underwater.” The band just finished shooting a two day music video in the desert for this song. This song stood out among the others with its beautiful ambient vocal echoes and psychedelic bass chords.

Foxtrax closed out the night with “I’ll Be Back For You.” With their mature attention to detail and desire to incorporate the new with the classics—Foxtrax will be back.

Jared Stenz
photo by Jessica Klausing

The band made you feel you like you were in their living room while they played songs for their closest friends. With their charming demeanor and their inspiring lyrics, I left the venue wanting to follow my own foxtrax.

SETLIST:
Feeling Alright
Indie Rocker B
Go It Alone
Last Chance Blues
Waiting For You
Dark Of The Night
On The Run
Everything’s Changing
City of Lights
Underwater
I’ll Be Back For You
 

REVIEW: Coheed & Cambria Continue to Enlighten at Hollywood Palladium

By Jessica Klausing

Claudio Sanchez
photo by Jessica Klausing

Who doesn’t love them some Sci fy/Fantasy inspired music?

Coheed and Cambria played to an ecstatic crowd at the Hollywood Palladium on Tuesday. Fans waited in line for over five hours just to ensure a good spot in front of the progressive rockers. The night kicked off with three opening bands: Silver Snakes, I The Mighty, and Glassjaw.

Silver Snakes
 photo by Jessica Klausing

Silver Snakes took the stage first. These guys reminded me of an early Deftones garage band. It felt like a time warp back to my middle school years in the early 2000s. The aggressive rhythm section fused with the gut bellowing choruses gave off an immaturity vibe. Alex Estrada can fill a room with his half growl, half scream vocals though! The sound was pretty decent if screamo is your thing.

I The Mighty
  photo by Jessica Klausing

I The Mighty was the next act to follow. The venue was already starting to get packed at this time. These guys were my favorite openers of the night. This quartet hyped up the crowd with their ambitious energy. Lead singer Brent Walsch encouraged plenty of pushing and shoving. Much to security displeasure, he invited fans to try to jump over the barrier to get onstage. Of course, nobody tried this in fear of getting kicked out. Walsch admitted to being a huge Coheed fan by showing off his band inspired key tattoo. 

Glassjaw
 photo by Jessica Klausing
 

By the time Glassjaw came out, fans were already going berserk. You would have thought that these guys were the main headliners. The band showed off their esteemed brand of hardcore metal and experimental rock. Many of the fans were proudly singing along to “Tip Your Bartender” and their latest “New White Extremity.” Lead singer Daryl Palumbo was bouncing around like a jackrabbit throughout the entire set.

Claudio Sanchez performs "Ghost"
  photo by Jessica Klausing

At 09:30PM, Claudio Sanchez and his unruly mane took the stage with lead guitarist Travis Stever. The duo opened with the acoustic “Ghost,” as blinding fluorescent lights shone down upon Sanchez. Fans cheered and eagerly pushed forward in an attempt to get closer to the stage. The seasoned rockers kept on with the graceful pace of the song. Those calming vocals and delicate guitar strumming were only just building up the anticipation ready to burst in the venue.

Josh Eppard
photo by Jessica Klausing
 

As soon as drummer Josh Eppard and bassist Zach Cooper took stage-- all hell broke loose! The band launched right into “In Keeping Secrets of Silent Earth: 3” to bring the pace back up. Jumping, pushing, thrashing, dancing, crowd surfing are just a taste of many antics to expect at Coheed shows.

One notable highlight was the excessive crowd surfing action during “No World Tomorrow.” Fans were flying towards the stage as if it were the end of times. This writer even received a minor injury from a soaring super fan.

Travis Stever
    photo by Jessica Klausing

The band toured in favor of their newest album, The Color Before the Sun. Half of the set list consisted of the brand new songs.

“Blood Red Summer,” “Island,” and “Everything Evil” followed the band’s traditional progressive rock flow. Sanchez has a one-of-a kind falsetto that just commands the attention in the room. His band mates are rock solid technical musicians. I can easily see why devoted fans would want to wait in line for hours.
 

Coheed and Cambria perform at the Hollywood Palladium
 photo by Jessica Klausing

Coheed really stands out because of their unique ability to create something different. It is not too often you hear space agey synthesizers in today’s music. Sanchez captivated our imaginations with his powerful storytelling based off of his science fiction comics, The Amory Wars.

“The Favor House Atlantic” and “Here to Mars” were examples of this artistic imagery. Coheed really gets the point across with a mesmerizing LED light show. The lights were constantly changing colors and spinning out in different directions. It was a trippy experience!

“Peace to the Mountain” slowed things down with its calm, reflective message. “I learned to keep quiet/How to keep my distance/Afraid to let strangers in/How to keep my secrets.”

The band closed out the night with their biggest hit, “Welcome Home.” Sanchez shredded shamelessly on his double neck guitar while fans wailed out the “woahs.” This powerhouse metal ballad was the perfect note to send fans off.

SETLIST:
1. Ghost
2. In Keeping Secrets of Silent Earth: 3
3. Blood Red Summer
4. Island
5. Everything Evil
6. Key Entity Extraction V: Sentry the Defiant
7. A Favor House Atlantic
8. Here to Mars
9. The Hard Sell
10. No World Tomorrow
11. Atlas
12. The Audience
13. Peace to the Mountain

ENCORE:
14. You Got Spirit, Kid
15. Eraser
16. Welcome Home
 

REVIEW: Josh Ritter and The Royal City Band/Elephant Revival's Sermon to the Fonda Theatre

By Jessica Klausing

Josh Ritter with drummer Liam Hurley
photo by Jessica Klausing

Josh Ritter and The Royal City Band serenaded fans at the Fonda Theatre in Hollywood, CA on January 19 with a slew of brand new songs from the new album, Sermon on the Rocks (2015). The night was filled with heartfelt lyrics, foot-stompin’-hand-clappin’ folk melodies and of course, lots of smiling!

Elephant Revival
photo by Jessica Klausing

Elephant Revival opened the show with “Birds and Stars” from their 2013 album, These Changing Skies. This acoustic quintet’s style can be described as transcendental folk rock.  Their music incorporates a smorgasbord of Scottish/Celtic, bluegrass, jazz, indie rock with a twang of psychedelic country. Just think if Americana had crashed a Yiddish party, this is how it would sound. I was quite impressed with their musical arrangements. For starters, I have never seen anyone rock out on a washboard and musical saw like Bonnie Paine!

Bonnie Paine
photo by Jessica Klausing
 

 “Quill Pen Feather” shows off the band’s more country western rockin’ side with Bridget Law’s violin infused with bittersweet literary imagery: “You were throwing colors/ Upon canvas walls/Your words cut through the human/Mending wounds but still bleeding.”

The highlight for me was the beautiful acapella, “Raven Song,” which proves that a band does not need intense instrumentals to make a profound song. Instead, Paine’s haunting vibrato calls out to the weary: “Some say that that upon that mountain/There is many a raven/They call out to the living/From somewhere far beyond them/From those we love that have flown on.”

ElephantRevival’s new album releases in April. It’ll be worth your time to give them a listen.

Josh Ritter
photo by Jessica Klausing

Josh Ritter took stage dressed in a paint-stained blue jumpsuit in front of a colorful mountain canvas. This was the exact same outfit and backdrop as seen on the cover of his new album, Sermon on the Rocks (2015).

Ritter crooned right into the acoustic guitar opener, “Good Man,” from The Animal Years (2006). The rest of the band came on stage next for the upbeat, “Birds of a Meadow.” This was one of the songs off his new album. Each time Ritter belted out, “Fire is Coming. Fire is Coming,” the red stage lights illuminated the mountain backdrop like a spreading wildfire.

These colorful stage lights helped set the mood for Ritter’s playful storytelling. Whether it was a dark blue night sky during the heart wrenching, “In the Dark” or a rainbow aurora during the “You are the Northern Lights/They try to shine through your curtains/You’re too close and too bright,” part of “Kathleen,” it was a breathtaking sight to be seen!

Ritter was all smiles and beaming energy for the entire set. Literally, the entire set. It was often hard to take the darker songs seriously like, “Engine Engine Number 9” and “Girl in the War” because of all the smiling. However, Ritter’s big smile was so infectious that you just couldn’t help yourself but to grin and bounce along too. It was evident that he really enjoys performing!

“We have lots of new songs to go through. It’ll be a lot like speed dating,” joked Ritter.

Josh Kaufman
Photo by Jessica Klausing

His newer album was recorded in New Orleans, like the city, the music showcases plenty of zesty spirit. “Getting Ready to Get Down” and “Where the Night Goes” are prime examples of this with the electrifying guitar delivery by Josh Kaufman. The audience would cheer and clap alongside Ritter and the band.

Sam Kassirer

Photo by Jessica Klausing

It was Sam Kassirer’s hauntingly beautiful piano introduction of “Homecoming” that really captivated me.  Those graceful chords really honed in with Ritter’s “I’m headed home” lyric. It was an excellent way to conclude the emotional journey Ritter shared with us that night.

Zack Hickman
Photo by Jessica Klausing

No encore would be complete without “To the Dogs or Whoever,” from The Historical Conquests of Josh Ritter (2007). This was the ultimate crowd favorite as the audience would scream out “In the dark I thought I heard somebody call.” The enthusiasm ended the show on a high note as Ritter and his band mates took a heartfelt bow.

Josh Ritter and The Royal City Band will continue their 2016 U.S tour in San Francisco, CA on January 20 and will conclude May 29 in Charleston, SC.   

SETLIST:
Good Man
Birds of the Meadow
Young Moses
A Big Enough Sky
Right Moves
Henrietta, Indiana
New Lover
Seeing Me ‘Round
Where the Night Goes
Cumberland
The Stone
In the Dark
Engine Engine Number 9
Hello Starling
Bonfire
Girl in the War
Rumors
Getting Ready to Get Down
Homecoming

ENCORE:
The Temptation of Adam
Kathleen
To the Dogs or Whoever
 

REVIEW: Paul Stanley Woos The Roxy with Soulful Music

Written by Jessica Klausing

Paul Stanley or better known as "The Starchild" among the KISS fandom took the stage with his ten piece ensemble, Soul Station. The unmasked sixty-three year old rocker crooned soulful R&B covers to an intimate audience at West Hollywood's Roxy club. The band made their debut on Friday night.

The Soul Station lineup consisted of: Paul Stanley (vocals, tambourine), Longtime KISS drummer Eric Singer (drums, backing vocals), Sean Hurley (bass), Alex Alessandroni (keyboard), Ely Rose (keyboard), Rafael Moreira (guitar), Crystal Starr, Ayana Layli, Nelson Beato (backing vocals) and Ramon Yslas (percussion). 

Even though no KISS songs were played, Gene Simmons and Bruce Kulick were spotted showing their support in the VIP section.

"There was a time long ago when you'd turn on the radio and you'd hear songs written by real songwriters, sung by real singers, played by real musicians," reminisces Stanley.
A KISS member playing Motown and Philly soul is quite an unexpected surprise. However, Stanley explained his passion for these songs because of their optimistic messages and that they weren't created by a computer! The Temptations; "Just My Imagination", The Delfonics' "La-La Means I Love You," The Five Stairsteps' "O-o-h Child," and The Spinners' "Could It Be I'm Falling In Love" were just a few of the many classic hits in the setlist.

His vocals were a bit hard to hear, which were overpowered by the backups or drowned out from the bass. This caused a bit of a minor frustration among the audience. As some could be heard shouting for the mic to be turned up!

Stanley's impressive falsetto and Soul Station playing the songs' original composition made up for the minor sound problem. No over the top instrumentals or heavy metal riffs were used at all during the night. What better way to honor the greats than to play their music authentically.
"These songs mean a lot to us. They're beautiful songs. You could sway and touch the person next to you--you could also get punched in the face," jokes Stanley.
His positive attitude was very infectious throughout the night. The fans were seen swaying and singing along in an admirable fashion. Everyone seemed to have as much love for the classics as Stanley. No KISS song requests were being shouted out!

Ayana Layli and Paul Stanley
photo by Jessica Klausing

"We've got great, great singers. I would be nothing without these singers," Stanley admitted, referring humbly to his backup singers.

At one point lead vocals were passed to backup singer Crystal Starr during Jackson 5's "I Want You Back." Starr's powerhouse voice really uplifted the mood. She nailed every high note while Stanley played the tambourine. This was perhaps the biggest highlight of the night considering everyone was up and dancing at this point.

From left: Nelson Beato, Crystal Starr, and Ayana Layli
photo by Jessica Klausing

More Soul Station tour dates are expected to be announced soon. The show's performance will also be released on DVD. 

SETLIST
"Get Ready" (The Temptations)
"La-La Means I Love You (The Delfonics)
"Just My Imagination" (The Temptations)
"Ooo Baby Baby" (Smokey Robinson & The Miracles)
"Sideshow" (Blue Magic)
"You Are Everything" (The Stylistics)
"Tracks of My Tears" (Smokey Robinson & The Miracles)
"Let's Stay Together" (Al Green)
"Betcha by Golly, Wow" (The Stylistics)
"The Way You Do the Things You Do" (The Temptations)
"I Want You Back" (Jackson 5)
"Who's That Lady" (The Isley Brothers)
ENCORE:
"O-o-h Child" (The Five Stairsteps)
"This Old Heart of Mine" (The Isley Brothers)
"Could It Be I'm Falling In Love" (The Spinners)

REVIEW: The Offspring 'Conspiracy of One' chaotic night at the Hollywood Palladium

Written by Jessica Klausing

Featured on AMBY

Dexter Holland (vocals), Greg K (bass guitarist), Kevin “Noodles” Wasserman (lead guitarist) and Pete Parada (drums) brought a night of chaotic endeavors to die hard punk fans at the sold out Hollywood Palladium.

As soon as the Huntington Beach rockers took stage, beer cups and clothes went flying in the air. The black and white fire skull logo proudly illuminated the stage as the audience pounded and roared with excitement while Noodles’ guitar wailed right into “Bad Habit.”

At one point, the entire balcony was shaking. It was a wonder the whole thing didn’t collapse.  I know it is not unusual for fans to go berserk at the start of a show. But, this was off the chain! I have never been to a show where this much hype was bottled up in one room ready to explode.

Noodles seemed to enjoy all the chaos, thanking Hollywood for “being a creative audience.” Noting that “chaos is where the creativity develops.” He proceeded to comment how “Hollywood is gritty with such a great mix of personalities and people.”

 And gritty it was indeed.

You don’t get the full experience at an Offspring concert unless you thrash around in an aggressive mosh pit covered in sweat and beer screaming the chorus lines to the punk anthems like a patriotic warmonger.

The band launched into into their popular hits like “Pretty Fly (For a White Guy)”, “Why Don’t You Get a Job” and my personal favorite, “Come Out and Play,” from their 1994 platinum selling album, Smash. 

Their ninteen song setlist was a lot of fun, which included material mostly fromRise and Fall, Rage and Grace (2008), Conspiracy of One (2000), Americana(1998), and Ixnay on the Hombre (1997). It was nice to see that the band didn’t solely focus on their older lineup but showcased plenty of their newer stuff in the mix.  I prefer an assortment when a band has such a huge musical catalog. Of course, it is always great to hear the popular hits but refreshing to listen how the band has progressed over the years. They have evolved more than just catchy lyrics to a tighter production.

Holland took a moment to let everyone know how much the band loves playing at the Palladium--noticing how it looked like everyone in the audience knew the lyrics!

Greg K
photo by Jessica Klausing

The audience was a diverse mix of old and young punk fans. It was a satisfying experience seeing that the age barriers didn’t segregate fans from the show. There was no rivalry only a unification of fans singing their hearts out together. Its experiences like this that reminds me why I love attending concerts. Music is the universal love that connects us all no matter what walk of life we may come from.

After an hour of performing, the band had walked off stage until the audience chanted for “one more song”, which of course, the band was more than happy to oblige.
The band returned with an encore of “Want You Bad” and “Self Esteem” The songs ended the show on a high note prompting a little crowd surfing action.
 

Photo by Jessica Klausing
 

The Offspring has been praised for bringing punk rock and pop punk together. Despite being around for more than thirty years with most of their mainstream success in the 90s, these guys prove that they’ve still got what it takes to put on a damn good show!

SETLIST:
Bad Habit
All I Want
Come Out and Play
Coming for You
Hammerhead
Genocide
Have You Ever
Staring at the Sun
Nitro (Youth Energy)
You’re Gonna Go Far Kid
Gone Away
Gotta Get Away
Why Don’t You Get a Job?
Americana
(Can’t Get My) Head Around You
Pretty Fly (For a White Guy)
The Kids Aren't Alright

ENCORE:
Want You Bad
Self Esteem
 

Dum Dum Girls and SISU Bring Beauty and Heartbreak to The Roxy

Written by Jessica Klausing

Photo by Marytrini Garcia Hernandez

Dum Dum Girls and SISU played to a sold out show at The Roxy on April 17th. I admit I went to the show not knowing either of the bands. As soon as the opening band, SISU took stage, I knew I was in for quite a psych rock journey.

SISU is a Finnish word that loosely translates to determination, bravery and resilience. I really couldn’t think of a better way to describe the beautiful styling of multi instrumentalist front woman, Sandra Vu.

Vu is an incredible musician. One minute she is blowing the doors down with an aggressive guitar solo, the next she is balancing the song’s softer side on the flute. She is also the drummer for the Dum Dum Girls on top of all that! SISU deals with a much darker complex than the Dum Dum Girls’ sound.

The band's aggressive yet graceful material attributes their debut album, Blood Tears. Blood Tears is the yin and yang between comfort and despair. A prime example would be one of my favorites, “Harpoons.” The song begins with Vu’s seductive vocals drawing the listener deeper into the sinister sound.

Dee Dee Penny soon took the stage in a skintight cat woman-esque suit. Penny’s sultry voice captivated the audience as the Dum Dum Girls opened with “Mine Tonight.”

 The stage was decked out with glowing flowers and a huge neon blue heart. The sweet smell of incense candles burning onstage filled the air that drew the audience into a psychedelic whirlwind of edgy punk music. A lot of people tend to compare the band’s sound to Morrissey or The Vivian Girls. The first thing that came to me was more of an early 90's, Roxette or The Cranberries vibe.

Dum Dum Girls played songs from all of their albums, I Will Be, Only in Dreams and their newest release,Too True. The new tracks still held true to the band’s gothic rock roots but with a bit more bubblegum.

From the upbeat, “He Gets Me High” to the tear jerker, “Rimbaud Eyes,” this was an emotional show not to miss. You can’t help but feel that these girls have had their hearts wrung through the wringer and left out to dry. The blend of Penny’s voice with the guitar chords forces you to really feel the heartbreak first hand. I couldn't have asked for a better first intimate show at the Roxy.

SETLIST:
Mine Tonight
I Got Nothing
Bedroom Eyes
Wake of You
I Will Be
He Gets Me High
Too True to Be Good
Are You Okay?
Rest of Our Lives
It Only Takes One Tonight
Under These Hands
Rimbaud Eyes
Lord Knows
Pale Saints
Coming Down